1984 Wonder Woman reviewers criticize them for liking the movie – a few words on what happened

It’s something I’ve been thinking about in the last day or two of the ongoing release of Patty Jenkins new film Wonder Woman in 1984, around the time the film was released in the UK two weeks ago, very few could People are watching him now, with the movie in US theaters and on the HBO Max streaming site, have seen a lot more of it, and in fairness, a lot more have the word

Unfortunately, the initial collection of reviewers is also much more influential than the reviews, but the people who wrote them

When the film first landed, the initial collection of reviews was very enthusiastic. Many people gave the film very positive attributions and ratings and backed up their thoughts – crucially – with reviews that advanced their reasoning

The next series of reviews were much less positive, and there was also a small backlash from the audience against the film, no problems here either: if you’re paying your money and don’t like the film, you have absolutely every right to have a say in it don’t think anyone is arguing with it

When the discourse deviates from the film and attacks people, I fight

I know we should all embrace it as part of the modern world and social media and blah blah blah but I always felt like bullies win like this when everyone walks by

It’s not just the filmmakers who are drawing this anger now (though you don’t have to search long for great films aimed at the people who made them) Some level of online abuse is now directed at people who reviewed Wonder Woman in 1984 and who really liked the movie I Want to Address This

It would be a mystery to me not to realize in advance that this is part of an increasingly depressing cycle that has followed many big blockbuster genre films in recent times. Movies with deep fandoms behind their franchises often have small bits of that fandom that for example not entirely looking for change and evolution that or very protect the franchise from abuse. I’m talking about a minority here, and I’m not talking about the positive fandom behind something like the Snyder Cut campaign, to be clear with It is just best to acknowledge that some elements of these films are toxic

In the case of Wonder Woman 1984 reviews, which run like clockwork on a regular basis, I’ve seen the argument that the only people who got early access to the movie were comic book sites that only enlarged the movie, because they are believed to be great for any comic book movie

Let’s deal with this: it’s just not true, this isn’t a comic book site to begin with, and we got early access to the movie, it’s also not difficult to find many reviews that came in as the embargo on opinions which came from a wide range of outlets from day one, there have been a number of votes and a quick Google search proves that Warner Bros. tried to get as many reviewers as possible to get the film as early as possible, and this was reflected in the range of reviews on the first day

Even so, I think this is being overlooked: why shouldn’t comic film websites look like comic films? When I go to a horror film website, I likely see reviews that understand and appreciate horror films differently than, say, a national newspaper that they probably like more of them. When did that become a problem?

What exactly is the problem with fans of movies who review movies? Aren’t we all movie fans? i am i review films what’s wrong with that?

If I am reviewing a movie in a genre that I really love, doesn’t it guarantee a good review, but does it mean I am sure to have additional insight?

Because this is the next in the predictable line of scrimmage Personally, I have long been vaccinated on the allegation that reviewers have been paid, but then I’ve been here for a while The idea of ​​film studios broadcasting a screening invites you to use your PayPal Leave address so they can send you a cheeky ten if you give the movie an extra star

It must be quite daunting for someone starting out and ready to have their name checked to be blamed, not least when they check their bank balance

Because, bluntly, I know very few modern day film critics who can make a living just writing about film. If Disney, Warner Bros and the like pay people off, they do it very quietly and very cheaply. The vast majority of film critics, Those you read online can’t afford to do this full-time Spoilers: the pay isn’t great Instead, they work in another job and make space for writing movies in their spare time trying to build their writing portfolio through hard transplantation and then have to go back to work in the morning

As convenient as it is to suggest people like a movie because they got paid to do it, I don’t buy it and have never seen it

(An aide: I admit I never think it’s a great look to retweet a reviewer when they’ve received something from a PR firm, and I’ve seen some setbacks against it, but I’d also suggest that retweeting when someone sends you a cake hardly pays the bills)

Then there is rotten tomatoes, apparently the oracle of what is good or not. The evidence I’ve seen several times that the 1984 Wonder Woman reviews were incorrect is that the first Rotten Tomatoes score was originally great was high and now not so high

I think all of Rotten Tomatoes’ influence on movie reviews is a much bigger debate than just for this piece, but I still despair

I’m not one of those people who have a problem with star ratings and the like.But still: I’m also one of those who think that a two and a half hour film is far more than a number in a hundred that is generated by an algorithm “According to Rotten Tomatoes it’s rubbish,” I see banded around

So what? How is it in your opinion? Isn’t that more important? If you really like a movie that scores 54 on Rotten Tomatoes, what would you most like to do: conform to the crush or express what you think?

While Rotten Tomatoes is a useful service for bringing together a collection of views, it overlooks the fact that every review for the movie in question includes both words and a number or graphic of a few stars

Isn’t it important to figure out why someone feels the way they do instead of just jumping to their numerical conclusion?

Shouldn’t we also cherish those who are willing to violate what a Rotten Tomatoes number says, with all the problems that can come with it?

All of this has fueled another attack on film critics, and as always, it appears to be younger reviewers (“what do they know” ?!) and those less represented in a still male-dominated group of the world paid movie review singled out as far as I can see, if you’re a woman who likes Wonder Woman 1984, you’d better come out with armor on as you apparently have to jump through twice as many hoops to justify your judgment on the same armor That was last needed, I would suggest when Birds Of Prey was released

Personally, I actively look for voices that are different from mine because I’m more likely to see things I wouldn’t otherwise see. It was Amon Warmann’s writing that got me interested in the Barbership films. It was Millicent Thomas who Clarisse Loughreys showed me something else in Birds Of Prey. Breaking up Tenet Found Things I Didn’t. Charlotte Harrison yelled from the rooftops over Wild Rose and put it firmly on my to-watch list

I don’t necessarily have to love all of the movies I’ve mentioned – far from them in some cases – but I do something special in actually reading the reviews and listening to people shock horror: I don’t always agree with these writers either Even so, I manage to disagree with them without sending them a truckload of abuse on Twitter

That being said, I find younger reviewers far better protected from spoilers than some more established names

We’re at a time when film criticism – in fact, pretty much every field of criticism – is much broader. I find this a lot healthier. I also think it’s a lot easier to find a reviewer who is roughly Your view of the world corresponds

I never really had that heck as a teenager, I loved Barry Norman and the BBC’s film program in the 1980s and early 90s, and stuck to a lot of his words, but our movie tastes varied a lot as you get older and more movies see this will refine your taste. But anyway, I couldn’t find a critic in the late 1980s who adored Back To The Future Part II as much as I did

I would have loved to find young critics with a platform to share my enthusiasm with. Instead, I was content with Barry’s somewhat approving of the film

Now? It’s a lot easier to find a reviewer who reflects you better than ever before, and film discourse has broadened and become healthier, I would argue the same gatekeepers are still around, and many big outlets rely on the same people they have been for more than a decade work

But its power is weakened. Film criticism is a little more democratized. If you liked things the old way, then the old way is still there As far as I can see nothing has been taken away, instead more things have been added

This also includes finding someone who disagrees with you is easier than ever in the age of social media, easier than ever to track them down and have your say, and in some cases, to potentially harm them is what happens, and I’ve seen aspiring critics get away from Twitter because of the abuse they received abuse to really like a movie in this case

Obviously it comes in a gift box with the line “If you can’t take, don’t write it” My eyes can’t roll hard enough to answer constructive questions with a review – hell, lots of them People welcome a good debate. But it’s the vitriol, the abuse, the naming that is just generally awful. Why should people have to take this? Why should we go by?

Enough of it. It’s not about engaging with opinions and challenging people. This is about a grassroots level of abuse that a new generation of critics are facing. It stares at them when they view their social media feeds with depressing ones Turning on regularity It prevents really good writers from getting their words published. Imagine those brilliant voices put off by what they see

I really believe the world of film criticism has grown tremendously in the last decade I think fandom is by and large a positive force I think social media has opened discourses, debates and communities that I would have loved when i was younger to be a part of it

But I still can’t give a particularly convincing answer to the question I asked at the beginning. Because why do people read movie reviews at all?

I used to know the answer for sure, but I now fear that for a subset of people with a disproportionately loud voice, the point is to find people they disagree with and tell them why they are wrong and are not allowed to hold the opinion that they do attack To bully Assert a point of view and woe to you if you deviate from it I certainly see more with Wonder Woman 1984 than I would like, that goes far beyond the film itself

Fortunately for the majority, I’d still like to believe that people read movie reviews to see if a movie is good To see if it’s worth watching To see if anyone found something in a movie that he doesn’t have

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Wonder Woman

World News – GB – A few thoughts on the backlash of Wonder Woman 1984 – movie stories

Source: https://www.filmstories.co.uk/features/a-few-thoughts-on-the-wonder-woman-1984-reviewer-backlash/